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Thursday, January 21, 2010

Sisters In Scribe: CONTEST!!!

Siters in Scribe are having a contest head to: http://sistersinscribe.blogspot.com
to enter. Information on it can also be seen below.


TO ENTER: You MUST be a follower of this blog and fill out the entry form at the bottom of this post!!!!!!!


In honor of the New Year, and to show our appreciation to all of our followers for making our blog the awesomeness that it is, we are giving away one hardcover copy of

Vampire Academy book 4
Blood Promise!

This book is new, never been opened past the title page and...drum roll...It is AUTOGRAPHED!
That thing at the top of the middle pic is a shadow. Don't worry--book is mint. To read an excerpt from the book go to RichelleMead.com

Product Description

How far will Rose go to keep her promise?

The recent Strigoi attack at St. Vladimir’s Academy was the deadliest ever in the school’s history, claiming the lives of Moroi students, teachers, and guardians alike. Even worse, the Strigoi took some of their victims with them. . . including Dimitri.

He’d rather die than be one of them, and now Rose must abandon her best friend, Lissa—the one she has sworn to protect no matter what—and keep the promise Dimitri begged her to make long ago. But with everything at stake, how can she possibly destroy the person she loves most?



About the Author

Richelle Mead lives in Seattle and is the author of the VAMPIRE ACADEMY series. When not writing, she can be found watching bad movies, inventing recipes, and buying far too many dresses.



TO ENTER: You MUST be a follower of this blog and fill out the entry form at the bottom of this post!!!!!!! New followers welcome.
CONTEST CLOSES on Jan 28th 2010, winners announced.

Entries will go as follows:

+1 for following (mandatory)

+1 for a tweet about the contest

+1 for a facebook post about the contest

+2 for blogging about the contest

+1 for following Sisters in Scribe on Twitter

+1 for following Sisters in Scribe on Facebook


Now here is where the big entries come in:

+1 for EACH follow on our personal twitter, facebook and blogs. That's a chance for 10 extra entries:

Twitter


Facebook

Blogs

To enter the contest go to : http://sistersinscribe.blogspot.com and fill in the form.
Good luck to those whom enter.


Sunday, August 9, 2009

G.I. JOE: THE RISE OF COBRA

I have to take a break from coloring , let alone discussing coloring or color itself.
Why? So I can share my review of G.I. JOE: THE RISE OF COBRA film.

!! WARNING !! Spoilers are found below. If you have not yet seen the film and plan on doing so, do not read this review... that is unless you want to know more about it.


Okay here we go:

The short review is : What the heck were they thinking? The long rewiew is below.

I personally think G.I. Joe without a subtitle would have better served the film. After all the title implies that there is some kind of uprising of the COBRA organization. Only to find out nearly 99% has nothing to do with Cobra, but instead revolves around Destro's company: M.A.R.S . I find the concept completely absurd. after all when onethinks of G.I. Joe, you automatically think of the Joes VS Cobra, not an inanimate object such as a nano-warhead.You can't even say they were fighting Destro himself, heck he only physically shows up for a few brief scenes,prior to that he only appears as a hologram.


I do not know who to blame more for this film's failure. Was it the fault of Paramount or Hasbro? one this is clear however, that neither of them did any kind of moderation of the film's production. The other clear thing is that, not as much a single person involved in this film's making read or watched anything related to G.I. Joe. They never read the comics, they never watched the cartoon, I almost certain they just took the names of the series and characters because they thought it would be cool.


The film is full of explosions, many occur for no reason other than eye candy. One would only assume that the director Stephen Sommers had attended Michael Bay's school of directing. I understand that deep down this is atwo hour toy commercial, but that didn't stop the cartoon or comics from having fantastic story telling. As a matter of fact; both the comics and animated series went beyond selling toys, it seemed like they actually cared about the fans and wanted to tell great stories.


There is nothing about this movie, that makes me proud to be a fan of the franchise. I never once laughed at any ofthe jokes, nor felt remorse for people injured or hurt. Why, you would ask? Well, it's because I was no emotionallyinvested in the characters. I felt nothing for them. I can't say the same for the comics and cartoon. I, even to thisday shed a tear while watching the original animated movie. I felt bad for duke when he was injured. No so with this film. Instead, I was looking forward to something bad to happen to the main characters.


By far my biggest complaint next to the "Accelerator Suits" is with Cobra itself, the film is rise of cobra, but not once do they follow the original story of its creation. they weren't super soldiers created with nanites, Cobra Commander..er Rex, wasn't even a scientist. He sold cars, bottom line. The entire concept was that he was tired of the big guys having it out for the little guy and wanted to take charge. People joined his cause because of his speeches not nanites. Why are they called vipers, yet not one of them wear a cobra emblem on them? They sure is heck wear mock Destro masks. The second biggest problem.. Cobra Commander isn’t really in the movie. Some shmuck named Rex is, then some guys wearing a unusual breathing mechanism (That does not seem to even make a difference in his breathing), then at the end of the film some guy wearing bubble mask claims to be Cobra Commander, but it's not what we've known him to look and sound like.


Having Cobra Commander wearing his trademark mask or hood would not take me away from the film. It would have been an improvement over what they did with the character. Worse yet they made him Baroness' younger brother? What? Further insult to injury, the Baroness isn't , Anastasia DeCobray nor a true brunette nor does she have hertradmark accent, but instead she's an American blonde named Anna Lewis, whom was Duke's fiancée. I repeat, what?


Then we have Zartan. He is not a Dreadnok, he doesn’t wear face paint nor does he live in a swamp, he no longer suffers from Paranoid Schizophrenia and Multiple Personality Disorder. He can no longer imitate anyone he wishes to with exact physical and vocal likeness (until after-his nanite surgery.) This was previously done through a mixture of holograms, illusions and hypnosis. Zartan in the comics and cartoons was fluent in twenty languages and dialects, a ventriloquist, an expert martial artist, and a master archer . In the film, he was reduced to an exaggerated cameo role involving a man who loves to kill people for the fun of it. The only Cobra member I was pleased with was Storm Shadow, and even then they didn't get right.


Next up the Joes. It was actually nice seeing the PIT. General Hawk came off more like flint to me, than Hawk. I even mistook him for flint during his first few minutes of screen time. It was probably due to him dressing like Flint. Heavy Duty, came off of as just a team leader, wasn't Duke supposed to lead.. Wait, back up. Wasn't Duke supposedto bring everyone on the Joe team, in this film they bring him into the program, not the other way around. Oh well, I digress. Ripcord, what where they thinking? What was wrong with Stalker.. even if they had to change his name, they could have at least modeled a character after him. Once more, oh well. Cover Girl why was she even in the film if they planned on killer her off so quick, why not just make that an nondescript Joe instead? Scarlett, okay I was actually pleased with her role. I can't complain about Snake-Eyes.. not much anyway. He's man that does not speak, yet his mask has lips. [B]Lips.[/B] Why lips? Breaker was also, okay. I would have proffered mainframe in that role.


Now onto the film itself. It was horrible, most of that is blamed on bad dialog, the cheesy unnecessary moments, of which included flashback sequences, the worst part .... is the McGuffin device involving the nanites. The McGuffin device used in the animated series' episode "Once Upon a Joe" was better than this excuse. I'd understand if it was just the warheads, but its use in everything else is excessive. Why do we need them to be used for the viper soldiers, why use it to make Zartan's camo ability, or even Destro's mask. It was over done.


The fight scenes that mattered were too short. The ones that didn't matter were too long, the chase sequences moved too fast and were too busy for anyone to take note of, let along know who's who or what's what. The "b" plot or sub plot of Zartan becoming the President of the United States was lame. He was all about wealth not power. Why the President anyway, why not someone with more money? Also What's with those magical Accelerator suits?Did they really need to incorporate those into the movie? I don't think they enhanced or furthered the story any.


Where were Crimson Twins, I mean wasn't most of Cobra funded by their company Extensive Enterprises? Where was Lady Jaye, Flint and the other cool characters? If they would have based the film on the comics or cartoon, it would have been successful.
Instead they may as well rename the film G.I. Joe: Fall of a Franchise. I can only hope that this movie does not make Hasbro end the line. The comics a great, the action figures especially the 25th anniversary figures are amazing, the dvd sales of the cartoon are strong, but this movie is a huge blow to the series.


I give this film one of five stars.


What did all of you think of the film?

Thursday, August 6, 2009

To be a comic book colorist

What is a comic book colorist and what does it take to be one?

let's start with what a digital colorist's job is. A colorist uses their skill and knowledge to apply color to a comic book, more specifically individual pages that make up a comic book. This isn't as easy as it seems, let alone as easy as your
friends and family believe it to be. Applying digital colors to a comic page takes time and practice to efficiently pull it off.

After all you not only have to color those pages, but must do so in a timely fashion. Most publishers will give you a deadline to complete your work. This can be as little as a day to a few weeks.

Now that we know more of what a colorist does, we can take a look about the technical aspect of the work. Coloring is often done in two steps. Flatting and coloring. Often colorists that work with the larger publishers use someone to assist in the coloring process by flatting their pages for them. Usually, the flatter rarely receives credit but does a large chunk of work that would otherwise need to be done by the colorist themselves. The need for a flatter is
for the most part to save time and allow the colorist to better meet their deadlines.

What does the flatting process consist of? The flatter blocks in the basic areas of art, each with a unique color. This is done so that each area can be selected by itself, aside from all the other elements of the page. Although, I flat my own work, I hate the flatting process. Which is why I chose to be a colorist. That said, if flatting is something that you might
enjoy doing, then by all means give it a try. I wish you the best making a career out of it. I know many flatter myself, having one more flatter in this world would be a great thing.

After the flats, or "flatting" we enter the actual the coloring stage, this is where the magic happens. It's where the colorist applies not only the color itself to the page but much more. During this stage the colorist will add both lighting and shading to help give the page a more an extra dimension that a flat page won't give.

What does a colorist need to do their job? The colorist will need to know how to use color. Simple right? Perhaps, but there is a bit more to it than just that. Learning the trade from school training can be very helpful, especially from an art nor photography class. Although training from a course or class can help, it isn't necessary at all. Many colorists learn as they go, myself included. Here is what you will need to know. As a colorist you will need to know what color looks like under various conditions and how it changes under light and shadow. Is the scene taking place at night, or day, is there a fire or explosion in the scene? Each panel, every page will vary. it will be your job as the colorist to enhance the art to the fullest of your ability using the techniques that you have learned. Techniques, tips and tricks that you will learn from both other colorists, as well as from how to books or guides.

Another aspect of what you will need to be a colorist, are the tools of the trade themselves.
At this point. almost all comic books are done digitally. This means that you will need a computer, you will also need as well. The standard for the industry used today are Adobe Photoshop and Adobe Illustrator. Both programs are a must have, but are both very expensive. If you want to be a colorist, do yourself a favor and save up for them both, or if you can only get one, I would recommend Photoshop over Illustrator.
It would also be a good idea to get yourself as tablet. There are many of them available, but the best one out there is the Wacom Tablet.

So you still want to be a comic book colorist? The first step after acquiring the tools of the trade is to simply start practicing. I would like to suggest looking for line art at www.deviantart.com, but it is advised that you ask permission before using it. Once you have the art, start practicing, then practice some more after that. I've had no formal training myself and continue to learn something new every day and That's what it is to be a comic book colorist. At least it is for me.

Until next time, be sure to "Stay inside the lines."

- Tim